agenda

/kult Film: Pi

19 November

In his career, Darren Aronofsky has been bumped up from indie director (Pi) to major studio director (Noah). Still, his oeuvre of a total of six feature films all have one thing in common: an obsessive protagonist. See: the ballet dancer of Black Swan, the space traveller of The Fountain, the wrestler of… well, The Wrestler. In Pi (1998), which is like an ode to David Lynch’s Eraserheadset to Nineties dance music, the obsessive protagonist is a paranoid mathematician. The object of his obsession is finding a very specific number, believing it to be the key to unlocking the mystery of the universe.

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In his career, Darren Aronofsky has been bumped up from indie director (Pi) to major studio director (Noah). Still, his oeuvre of a total of six feature films all have one thing in common: an obsessive protagonist. See: the ballet dancer of Black Swan, the space traveller of The Fountain, the wrestler of… well, The Wrestler. In Pi (1998), which is like an ode to David Lynch’s Eraserheadset to Nineties dance music, the obsessive protagonist is a paranoid mathematician. The object of his obsession is finding a very specific number, believing it to be the key to unlocking the mystery of the universe.

 

PI

 

//www.youtube.com/embed/jo18VIoR2xU